Sunday, April 8, 2012

2012 Hugo Nominations



BEST NOVEL
Leviathan Wakes, James S.A. Corey (Orbit US; Orbit UK)
Deadline, Mira Grant (Orbit US; Orbit UK)
A Dance with Dragons, George R.R. Martin (Bantam; Harper Voyager UK)
Embassytown, China Miéville (Del Rey; Macmillan)
Among Others, Jo Walton (Tor)

BEST NOVELLA
‘‘The Ice Owl’’, Carolyn Ives Gilman (F&SF 10-11/11)
‘‘Countdown’’, Mira Grant (Orbit Short Fiction)
‘‘The Man Who Bridged the Mist’’, Kij Johnson (Asimov’s 10-11/11)
‘‘Kiss Me Twice’’, Mary Robinette Kowal (Asimov’s 6/11)
‘‘The Man Who Ended History: A Documentary’’, Ken Liu (Panverse Three)
Silently and Very Fast, Catherynne M. Valente (WSFA)

BEST NOVELETTE
‘‘Six Months, Three Days’’, Charlie Jane Anders (Tor.com 6/8/11)
‘‘The Copenhagen Interpretation’’, Paul Cornell (Asimov’s 7/11)
‘‘What We Found’’, Geoff Ryman (F&SF 9-10/11)
‘‘Fields of Gold’’, Rachel Swirsky (Eclipse Four)
‘‘Ray of Light’’, Brad R. Torgersen (Analog 12/11)

BEST SHORT STORY
‘‘Movement’’, Nancy Fulda (Asimov’s 3/11)
‘‘The Paper Menagerie’’, Ken Liu (F&SF 3-4/11)
‘‘The Homecoming’’, Mike Resnick (Asimov’s 4-5/11)
‘‘Shadow War of the Night Dragons, Book One: The Dead City (Prologue)’’, John Scalzi (Tor.com 4/1/11)
‘‘The Cartographer Wasps and the Anarchist Bees’’, E. Lily Yu (Clarkesworld4/11)

BEST RELATED WORK
The Encyclopedia of Science Fiction, Third Edition, John Clute, David Langford, Peter Nicholls & Graham Sleight, eds. (Gollancz)
Jar Jar Binks Must Die… and Other Observations about Science Fiction Movies, Daniel M. Kimmel (Fantastic Books)
Wicked Girls, Seanan McGuire
Writing Excuses, Season 6, Brandon Sanderson, Dan Wells, Howard Tayler, Mary Robinette Kowal, & Jordan Sanderson
The Steampunk Bible, Jeff VanderMeer & S.J. Chambers (Abrams)

BEST GRAPHIC STORY
The Unwritten, Vol. 2: Leviathan, Mike Carey, art by Peter Gross (Vertigo)
Locke & Key, Vol. 4: Keys To The Kingdom, Joe Hill, art by Gabriel Rodriguez (IDW Publishing)
Schlock Mercenary: Force Multiplication, Howard Tayler, colors by Travis Walton (www.schlockmercenary.com)
Digger, Ursula Vernon (www.diggercomic.com)
Fables, Vol. 15: Rose Red, Bill Willingham & Mark Buckingham (Vertigo)

BEST DRAMATIC PRESENTATION – LONG
Captain America: The First Avenger
Game of Thrones: Season 1
Harry Potter and the Deathly Hallows: Part 2
Hugo
Source Code

BEST DRAMATIC PRESENTATION – SHORT
Community: ‘‘Remedial Chaos Theory’’
‘‘The Drink Tank’s Hugo Acceptance Speech’’, Christopher J Garcia & James Bacon (Renovation)
Doctor Who: ‘‘The Doctor’s Wife’’
Doctor Who: ‘‘The Girl Who Waited’’
Doctor Who: ‘‘A Good Man Goes to War’’

BEST PROFESSIONAL EDITOR LONG FORM
Lou Anders
Liz Gorinsky
Anne Lesley Groell
Patrick Nielsen Hayden
Betsy Wollheim

BEST PROFESSIONAL EDITOR SHORT FORM
John Joseph Adams
Neil Clarke
Stanley Schmidt
Jonathan Strahan
Sheila Williams

BEST PROFESSIONAL ARTIST
Daniel Dos Santos
Bob Eggleton
Michael Komarck
Stephan Martiniere
John Picacio

BEST SEMIPROZINE
Apex Magazine
Interzone
Lightspeed
Locus
The New York Review of Science Fiction

BEST FANZINE
Banana Wings
The Drink Tank
File 770
Journey Planet
SF Signal

BEST FANCAST
The Coode Street Podcast
Galactic Suburbia Podcast
SF Signal Podcast
SF Squeecast
StarShipSofa

BEST FAN WRITER
James Bacon
Claire Brialey
Christopher J Garcia
Jim C. Hines
Steven H Silver

BEST FAN ARTIST
Randall Munroe
Spring Schoenhuth
Maurine Starkey
Steve Stiles
Taral Wayne

JOHN W. CAMPBELL AWARD FOR BEST NEW WRITER [NOT A HUGO AWARD]
Mur Lafferty
Stina Leicht
Karen Lord
Brad R. Torgersen
E. Lily Yu

Complaining about nomination shortlists is becoming cliché (*cough*Christopher Priest*cough*), so I'll try not to focus for too long on the negative. The novel category is a bit of a let down: there are no real surprises here, and I'm not thrilled to see Deadline (the reviews I've read seem to think it's not as good as Feed, which was already a disappointment for me). I'm two-thirds of the way through A Dance with Dragons, and liking it the least of the series so far, but maybe it's about to kick into high gear. The other three are solid, if predictable, entries.

Also, I think I'm finished with Graphic Fiction as a category. I might check out Digger and Locke and Key (which I have heard many great things about), but the domination of perennials in this category is depressing, as is the absence of an ambitious work like Craig Thompson's Habibi.

And then there's the "Drink Tank Hugo Acceptance Speech." I really don't think this sort of thing should be nominated, honestly. Nothing against the Drink Tank guys, but there's no speculative content here, and it feels like sort of an insult to the scripted content that wasn't nominated. And, boy is it navel-gazing: we're going to give you one of our awards for enjoying receiving our award so much! If it were to win (I assume it won't), it would be worse than the Gollum boondoggle, and I considered that one of the low points of Hugo history.

However, the rest of the short form category is solid. Yes, Doctor Who dominates again, but it's a solid slate, including the inevitable Gaiman-penned winner, my personal favorite of the series ("A Good Man Goes to War") and an Amy-centric episode that is fairly clever and clearly better on the more bombastic opening  two-parter or the finale. I'm thrilled to see Community nominated. It's a great episode of a great show.

Long Form also looks pretty good. Hugo's title is destined to mess up google searches for "Hugo awards" for years to come, and, as Allie pointed out to me in a comment here before I finally saw it, it's not all that speculative. But, it's close enough for me.  It's shocking that Rise of the Apes isn't on the list and that Captain America is...I thought I was the only one who found the former extremely overrated and loved the latter cheese fest, but I guess not. I probably would have gone for Super 8 over Harry Potter 7 and 1/2, but Game of Thrones is the main event here, so who cares?

I'm especially excited about reading the short fiction this year. I'm looking forward to reading another Swirsky story, the titles look great, and I feel like that's where I'll see some fresh material.

6 comments:

  1. How new do have to be to be considered for the Campbell. Mur Lafferty has been around for years.

    Doesn't history dictate that China will win best novel. I am pulling for Community and the Doctor's Wife in short form. Game of Thrones season 1 in long form? do they normally put whole seasons in this category. It seems like they have just used it for movies in the past. Kind of cheating if you ask me.

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  2. I was very disappointed to see Mira Grant back in the Best Novel hunt. 'Feed' was a simply terrible book and it doesn't sound like 'Deadline' is any better.

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  3. I'm a bit disappointed in the novel selection. I wouldn't rate either "Deadline" or "A Dance With Dragons" as worthy of the nomination (though I am still following A Song of Ice and Fire). I haven't read the other three yet, so I'm hoping they're better.

    I've seen Doctor Who Season 6 now, and I'd agree with you on "A Good Man Goes to War". For the movies, I'm surprised Hugo got a nomination! I did like it, though, despite it being so different from what I'd expected. I hope Game of Thrones wins the prize. :)

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  4. Budd,

    The Dramatic Presentation categories are broken down by length instead of medium, and full seasons have been nominated before. I think Game of Thrones was more like a continuous mini-series than an episodic tv show, so I actually like the pick (and think that it's the best nominee in the category by a lot).

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  5. I agree that taken as a whole it is the best, by far the best, but then you are comparing 10hrs of something to two hours of something else. Maybe they need a new category. Best Dramatic Arc? This would give multipart episodes, continuous arc stories, and even film series a category where they can be judged on consistency and not lumped in with the two hour movie or the single episode.

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  6. Yeah, I think there is a point that length is an arbitrary way of separating the categories. I think the Short Form category has always been somewhat dysfunctional for multiple reasons, and that is one of them. Maybe the best way to go is "Dramatic Presentation - Film" and "Dramatic Presentation - Other." Actually, I'd be happiest with just re-merging the categories.

    But, I still think Game of Thrones is in the right place under the current rules.

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